For The
Future
(Featured Foremother -- Merlin Stone)
I've
just reread one of my favorite post-apocalyptic novels, The Postman
(by David Brin). The film version is a macho cartoon. The book is a
thoughtful tale about hope, connection, and, surprisingly enough, about
the power of feminism. A group of young women takes action against war-making
patriarchs to protect the fragile beginnings of civilization in their
devastated, post-apocalyptic world. Their inspiration for taking responsibility
for their species comes from reading the "pre-apocalypse"
feminists and other works. (On their reading list was Aristophane's
Lysistrata, a 2,500 year-old Greek comedy about how women strategize
to stop the Peloponnesian War. To explore how this play is being used
this spring as a worldwide theatre event for peace -- see the Lysistrata
Project.)
With
more than rumors of war swirling about us today, we see women and men
taking actions to protest George Bush, Jr.'s war on Iraq -- a war that
presents a real danger of nuclear and/or biological apocalypse. We also
know that men and women, serving in the U.S., Iraqi and other militaries,
and many civilians, including children, will die in this conflict. I've
asked myself about the value of a web magazine for Goddess Women in
a time when many sisters and brothers are out on the streets protesting
war, others are headed to Iraq to create a human shield, and still others
are preparing to fight and die for their countries.
Looking
back through The Politics of Women's Spirituality (ed. Charlene
Spretnak), I came across the following quotes in Margot Adler's piece,
"Meanings of Matriarchy":
Two
feminist anthropologists have noted that whatever matriarchy is, "the
whole question challenges women to imagine themselves with power.
It is an idea about what society would look like if women were truly
free."
After
all, if Goddess religion is 60,000 years old or 7,000 it does not
matter. Certainly not for the future! Recognizing the divine Goddess
within is where real religion is at. (Z Budapest as quoted by Adler)
A great reminder. For the future,
feminism and Goddess Religion both are important, for they challenge us
women to imagine ourselves with power. Kila, in her revisioning
of the Adam and Eve myth ("Escape from Eden"
in this issue), points to a path of power for contemporary women. Reading
her article, I was reminded of an earlier treatment of this myth, from
a historical perspective, by Merlin Stone. Stone's When God Was A Woman,
published in 1976, is as relevant today as it was a quarter century
ago:
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The
Fall from Grace, Sistine Chapel
Michelangelo, courtesy of CGFA
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Preface,
When God Was a Woman, by Merlin Stone
How
did it actually happen? How did men initially gain the control that
now allows them to regulate the world in matters as vastly diverse
as deciding which wars will be fought when to what time dinner should
be served?
This book is
the result of my reactions to these and similar questions which
many of us concerned about the status of women in our society have
been asking ourselves and each other. As if in answer to our queries,
yet another question presented itself. What else might we expect
in a society that for centuries has taught young children, both
female and male, that a MALE deity created the universe and all
that is in it, produced MAN in his own divine image -- and then,
as an afterthought, created woman, to obediently help man in his
endeavors? The image of Eve, created for her husband, from her husband,
the woman who was supposed to have brought about the downfall of
humankind, has in many ways become the image of all women. How did
idea ever come into being?
Few people who
live in societies where Christianity, Judaism or Islam are followed
remain unaware of the tale of Eve heeding the word of the serpent
in the Garden of Eden, eating the forbidden fruit and then tempting
Adam to do the same. Generally, during the most impressionable years
of childhood, we are taught that it was this act of eating the tasty
fruit of the tree of knowledge of good and evil that caused the
loss of Paradise, the expulsion of Adam and Eve, thus all humankind,
from this first home of bliss and contentment. We are also made
to understand that, as a result of this act, it was decreed by God
that woman must submit to the dominance of man -- who was at that
time divinely presented with the right to rule over her -- from
that moment until now.
The expulsion
of Adam and Eve from the Garden of Eden is not exactly the latest
news, but few contemporary happenings have affected women of today
any more directly. In the struggle to achieve equal status for women,
in a society still permeated by the values and moralities of Judeo-Christian
beliefs (which have penetrated deeply into even the most secular
aspects of our contemporary civilization) we soon realize that a
thorough examination of this creation legend, alongside its historical
origins, provides us with vital information. It allows us to comprehend
the role that contemporary religions have played in the initial
and continual oppression and subjugation of women -- and the reasons
for this.
In prehistoric
and early historic periods of human development, religions existed
in which people revered their supreme creator as female. The Great
Goddess -- the Divine Ancestress -- had been worshiped from the
beginnings of the Neolithic periods of 7000 BC until the closing
of the last Goddess temples, about AD 500. Some authorities would
extend Goddess worship as far into the past as the Upper Paleolithic
Age of about 25,000 BC. Yet events of the Bible, which we are generally
taught to think of as taking place "in the beginning of time,"
actually occurred in historic periods. Abraham, first prophet of
the Hebrew-Christian god Yahweh, more familiarly known as Jehovah,
is believed by most Bible scholars to have lived no earlier than
1800 BC and possibly as late as 1550 BC.
Most significant
is the realization that for thousands of years both religions existed
simultaneously -- among closely neighboring peoples. Archaeological,
mythological and historical evidence all reveal that the female
religion, far from naturally fading away, was the victim of centuries
of continual persecution and suppression by the advocates of the
newer religions which held male deities as supreme. And from these
new religions came the creation myth of Adam and Even and the tale
of the loss of Paradise.
What had life
been like for women who lived in a society that venerated a wise
and valiant female Creator? Why had the members of the later male
religions fought so aggressively to suppress that earlier worship
-- even the very memory of it? What did the legend of Adam and Eve
really signify, and when and why was it written? The answers I discovered
have formed the content of this book. When God Was A Woman,
the story of the suppression of women's rites, has been written
to explain the historical events and political attitudes that led
to the writing of the Judeo-Christian myth of the Fall, the loss
of Paradise and, most importantly, why the blame for that loss was
attributed to the woman Eve, and has ever since been placed heavily
upon all women.
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Graphics Credits
+ Lysistrata
Project Poster, courtesy of Lysistrata
Project.
+ The Fall from Grace, Sistine Chapel, Michelangelo, courtesy of
CGFA.
Resources
+ The Postman, David Brin, 1985, Bantam Books.
+ When God Was A Woman, Merlin Stone, 1976, Harcourt, Brace, Jovanovich.
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