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Remembering My Mothertongue
by
Sue Silvermarie
A Response
to Molly's Question, 'What does Witchcraft mean to you?' With Blessings
on Her Initiation
I was initiated as a witch on Candlemas 1976 when I was 28 years old.
In my two-room apartment in Boston, with my five-year-old son bearing
witness, my whole women's circle initiated itself as a coven that night.
We had been meeting on full moons since the previous spring when the first
national women's spirituality conference, Through the Looking Glass,
galvanized us to drum together. Drumming was our way in, our trance induction
method of choice. In the fall, musician and priestess Kay Gardener visited
our circle, named us witches, and planted the seed. We bought the books
she recommended, taught ourselves the Craft rudiments, and planned our
Candlemas ritual.
I called myself a Dykewitch and took a witch's name. I began to live
my life in accord with seasonal ceremony, and I learned to make words
DO what they say. I devoted myself to the pleasure principle embodied
in the Charge of the Goddess: "All acts of love and pleasure are
my rituals." As a lesbian feminist poet I was already coming to understand
that my body was the truth by which to measure my world. Wicca confirmed
incarnation and all the sensory world as treasure! Being a witch felt
like belonging to Gaia and remembering Her Mothertongue.
I studied and then taught Womancraft, a psychic skills class that
was a feminist amalgam of Jane Roberts' work, Silva Mind Control, Jean
Houston's Mind Games, and some brilliant affirmations by local
feminists. Then I became part of an ongoing Spiral, an open and nonhierarchical
women's circle based on spontaneous rituals, structured only by casting
the circle / calling the directions at the start and grounding the energy
/ opening the circle at the end. We made the container more or less the
same each time, but how energy was raised within and for what purpose
depended on the needs of those who participated. I brought this form of
the Craft with me to the country, where I lived on a farm for a decade
and hosted periodic rituals. Over many years and many moves, I found or
created circles where I could, and where I couldn't, practiced solo.
There are other parts of my life closely linked to my being a witch.
Along the way I became a healer, practicing bodywork with guided relaxation.
Healing is one of the strands of my life I can't unravel from being a
witch. And when I studied and practiced shamanism, I combined it with
the Craft in my eclectic fashion, doing trance journeys and calling upon
power animals in the circle.
My eco-feminist politics is connected with witchcraft as well. Though
I don't often think of myself as a witch these days, I think the transformation
demanded of our species at this time requires that I behave like one.
Environmental abuse rips whole species away from the embrace of Gaia the
living Earth. Sexual abuse of the women and children of our own species
rips away parts of ourselves. At the twilight of patriarchy, we all sense
Life at stake.
Yet our fears of being called angry women are still visceral, since witch-burning
went on for 400 years and only stopped 300 years ago. I think we're called
to rise up from those fears with the power of love. Being an empowered
woman seems to me to be the generic form of being a witch.
In past epochs, oneness with the world was so natural it didn't have
to be conscious. Today our sense of oneness is a deliberate return. Science
acknowledges that there are no closed systems, no rim that separates realities,
finally agreeing with the visions of ancient priestesses and poets. And
today, we have the technology to actualize that primordial spiritual vision
of a world family.
I have
also learned from Buddhist activists like Joanna Macy and Thich Nhat Hanh
much about dis-spelling negativity, prime Craft lessons for our times.
Alanon structures my spirituality these days, too. She, the Goddess of
my understanding, is everywhere. She was Kuan Yin when I needed to learn
compassion and she is Kali now as she teaches me how to destroy patterns
that no longer serve.
Today my life looks less communal than when I was a young mother. I spend
more time nurturing my personal growth than working politically to save
the planet. The deep joy for me is that saving the planet and nurturing
my personal growth are no longer separate poles. They have aligned into
a single focus. I understand feminism's mantra, the personal is the political,
with fresh perspective.
I'm in Earth School to master a demanding and progressive curriculum:
my purpose is the practice of love and forgiveness; my work is embracing
what's here. Nowadays I find that almost any spiritual practice, worked
deep enough, can help take me in the direction I want to go. In life as
in poetry, the deeper I go into the subjective, the more I arrive at the
universal.
Dianic Wicca is a heritage that has made me who I am, in sweet convergence
with other streams in my life. My pagan love for the dear material world
deepens as I age. My cherishing of ceremony continues. My need to remain
in rhythm with the natural cycles and seasons is stronger than ever. Wicca
reminds me that I belong on this planet at this time, and I must contribute
my gifts. Whether I celebrate life in a coven or in a party of one, I
am grateful to be a witch, a devotee of the Great Mother, a daughter of
Earth.
Graphics Credits
- full moon, digital collage by Sage
Starwalker (original images courtesy of Dania Lolah (Venus) and alex
seto (full moon). All rights reserved.
- Kali, photo courtesy of Kabir Bakie.
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