|
Equality and Pluralism in the Divine Embodied:
An Exegesis of The Charge of the Goddess Part IV
by
Kila
In this final part of the exegesis, we will continue to consider the
wisdom that the Charge imparts with regard to our daily lives and
the broader cycles of change, return, and interconnection. I believe that
these last three verses are some of the most beautiful and important verses
in the Charge and encourage you to read and consider them carefully.
From Me all things proceed and unto Me they
must return. Let My worship be in the heart that rejoices for behold all
acts of love and pleasure are My rituals.
The first line of this verse is quite obvious. It is the common understanding
that the Divine creates and destroys. This is a cycle of being born and
returning into the Divine. But more than this, it is again a reminder
that we proceed directly from the Divine and therefore are ourselves a
manifestation into the world of that Divine energy, a reflection of the
Goddess herself. In the last phrase, the Charge uses the word must. This
is a very strong word, and in my view, it is a reminder that those who
struggle against the cycle cannot hope to win. One way of applying this
idea is in the area of aging. Often we struggle against aging and looking
older. The Crone reminds us that we have no choice in the matter of aging,
but we do have a choice in how we will do it. The second part of this
verse suggests that we can live through our cycles in a way that is peaceful
and gentle.
In the next line, we are enjoined to look forward, to create love and
pleasure in the world, rather than spend our time trying to make up for
all our deficiencies and doing penance for our mistakes. Simple acts then
become quite important as acts of ritual. Self-care becomes important.
Gentleness towards oneself as one ages, as one makes mistakes and tries
to correct them, becomes part of a worshipful way of life. But before
we get too self-involved and hedonistic, the Charge offers a qualification
in the following verse:
Let there be beauty and strength, power and
compassion, honor and humility, mirth and reverence within you. And you
who seek to know Me, know that your seeking will avail you not, unless
you know the Mystery:
In the first line of the verse above, we are given sets of what might
look like opposites but in fact are complementary characteristics. These
indicate the balance we are to maintain in our daily lives, which will
prevent us from veering off into self-worship or self-denigration. We
cannot be beautiful or create beauty without the strength to sustain it,
or to lose and rebuild it. We cannot wield any kind of power without understanding,
compassion, and mercy, particularly for those who have no power. When
we are confident and are given honor, we must also remain humble. Humility
here is not the self-deprecating humility that most women have learned,
but a good understanding of our own limitations and faults. Humility alone
is disempowering and often women who have lived in victim-hood or self-deprecation
tend to project onto those who are strong and empowered. This verse speaks
to such imbalances. Finally, we are enjoined to be both mirthful and reverent
laugh and enjoy but also understand the holiness, the gravity and
importance of all that is around us.
In the second line of this verse, the tone becomes more serious. We are
all seeking the face of the Divine. And here we are told that the fruits
of that seeking will be disappointing unless we can grasp the Mystery.
The first step to being able to do that comes from understanding oneself
and balancing oneself, as the previous line urges, because we are a reflection
of the Divine. It is interesting to note that the Charge only speaks
of one Mystery here. Clearly, it is the most important for those who are
seeking the face of the Divine. And in the following verse, the Charge
reveals what that is.
For if that which you seek you find not within
yourself, you will never find it without. For behold, I have been with
you from the beginning and I am that which is attained at the end of desire.
The Mystery, which runs across many traditions, is that seeking externally
that which you cannot find internally will not avail you. This line echoes
the many admonishments over the ages such as "Know Thyself"
from the Delphic Oracle or "Tat Vam Asi" (That I am) in Hinduism.
Again there is a balance between what we find inside ourselves and what
we may find outside. If we cannot find our own divinity, our own connections
to the Life force, to each other, we cannot hope to know a Divinity that
is exactly that kind of interconnected being. This line tells us that
we must understand humanity, know ourselves, and work to create balance
and heal ourselves before we can fully understand the Mystery of the Divine.
It is not enough to lie prostrate on the temple floor all day. We must
go out into the world and go into ourselves and live and seek the Divine.
But we are our own compass and map, we are the tool. If that tool is broken,
it cannot find that which it seeks, the true North of our soul which is
the Divine.
Finally, the Charge comes to an end through a beginning. In this
last verse, we are given the teleological reason for all the seeking:
the ultimate closing of the large circle of our lives. We proceed from
the Divine and throughout our lives we desire to return. We seek the Divine
in our lives, we honor it in ourselves. And at the end of all our days,
even if we are never able to achieve our own wholeness, we are assured
that at the end of desire, we shall once again flow into the Life force
and become undifferentiated wholeness with the Divine.
And so as the Charge concludes its cycle, the cycle that was this
exegesis is also complete. Because we have few texts of this kind, and
even though we must all understand that this was written by a person and
that it is not the "word" of the Goddess herself, I think it
is a powerful tool that can yield many insights. I hope that the readers
will take up the Charge and do their own meditations as I have tried to
do.
Graphics Credits
- window, courtesy of Jason Nelson.
|