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Entry into the Sacred (Part 1 Pilgrimage
to Nepal and Tibet)
by Vicki Noble
Pilgrimage is a powerful thing. The word itself evokes a serious intention
travel with a focus the goal of spiritual evolution rather
than intellectual pleasure, quite apart from sensual or ego gratification.
I had never thought I would go to Tibet in this lifetime; it seemed too
hard and probably too sad since the Chinese invasion. Yet when the email
came from Tsultrim Allione's Tara Mandala Center at Pagosa Springs, Colorado,
I signed up within five minutes of reading the message. Without knowing
how it could happen, I knew I needed to go on this particular trip that
would focus on seeking out the lineage of Machig Lapdron. This Tibetan
yogini invented the Chöd practice that has informed my life since
I was thirty years old.
I sent out a plea for support to the 2,000 names on my email list, and
more than fifty people responded with generous contributions that made
my travel possible. Thank you, All!
The concept of camping in Tibet and possibly sleeping in caves conjured
up immediate challenges: Will I get sick? Am I strong enough? Can I handle
the altitude? The Himalayas are higher than anywhere else in the world.
My only other significant experience of high altitudes, a visit to Cuzco
in Andean Peru, although challenging enough, didn't even compare. And
I'm not even a camper I prefer hotels with bathtubs and flush toilets.
But Machig's legacy the famous Chöd ritual is based
on meditating in "scary places" to confront and subdue our deepest
fears. Chöd means "to cut" and the fundamental idea in
the practice is to cut our illusions (fears and doubts) at the root, which
means especially our self-cherishing and clinging to our bodies. In this
context, why not (at the ripe age of 60) go to Tibet to climb the mountains
and visit the caves where fearless yoginis are known to have meditated
in the past?
Our
amazing guides were Tsultrim Allione and Jerome Edou. The thirty participants
on the trip were all students of Tsultrim's from over the years and were
required to have done at least one Chöd retreat with her. This shared
affinity made for a very unified group in which there were almost no serious
complaints and very little group friction. Apparently Buddhist practice
really does pay off in terms of reducing conflict in a group!
Our meeting point and first stop was Kathmandu, Nepal, a bustling metropolis
of Buddhists, Hindus, and animists co-existing in a delightfully chaotic
urban mix. The group stayed for five days in the Sechen Guest House (connected
to the Sechen Monastery) near the Bodhnath Stupa on the eastern outskirts
of Kathmandu. With hundreds of Tibetan refugees, we circumambulated the
Stupa daily, turning hundreds of prayer wheels along the way around the
base of the structure. We also went in the early morning to do our Chöd
practice, to the puzzlement and delight of numerous Tibetans and Nepalis
who watched us chanting and playing our drums and bells.
This immersion into the daily devotional life of Tibetans living in Kathmandu
set the tone for our entire pilgrimage, which mostly involved visiting
monasteries (and sometimes nunneries) where Tibetan Lamas welcomed us
and gave us teachings, practices, and empowerments. All this direct contact
and profound experience was largely the result of Tsultrim Allione's "good
karma" and the powerful links that she has cultivated by a lifetime
of dedication, ardent practice, and sustained teaching of Tibetan Buddhism
in the West. Without denying our own "good karma," I must say
it felt as if we were holding onto Tsultrim's coattails and being carried
gloriously along from one auspicious meeting to the next. Wonderful, unexpected,
and beautiful experiences unfolded again and again in synchronous and
magical detail, such as the day we visited the Prajnaparamita Temple in
the Patan district of Kathmandu.
Prajnaparamita, known as the "Mother of the Buddhas" and "Mother
of Knowledge," is basically the Great Mother. She is called the "Perfection
of Wisdom" and considered to be the "highest metaphysical principle
envisioned as a cosmic female," in the words of Miranda Shaw in her
wonderful new book, Buddhist Goddesses of India. (166)
"Perfection of Wisdom literature exalts Prajnaparamita as the highest
object of refuge and wisdom," according to Shaw, and this "veneration
of Prajnaparamita supersedes that of Buddhas, because she is the 'real
eminent cause and condition' of Buddhas' omniscience." (169)
In
Tibet Prajnaparamita is "the 'inexhaustible storehouse' of truth
that is given voice by all Buddhas of the past, present, and future,"
and her living embodiment is Machig Lapdron, our famous yogini whose lineage
we hoped to discover on this pilgrimage. But perhaps more explicitly,
Prajnaparamita refers to a sacred scripture or text called Perfection
of Wisdom, and her development of the Chöd is believed to be based
on Machig's readings of the Prajnaparamita. The earliest images and dated
literary descriptions of Prajnaparamita depict her carrying a manuscript
which "merits ritual worship" according to commentators, including
that a person "should honour, revere, adore and worship it, with
flowers, incense, scents, wreaths, unguents, aromatic powders, strips
of cloth, parasols, banners, bells, flags, and rows of lamps all round,
and with manifold kinds of worship." (171)
The day our group entered the Prajnaparamita Temple in Patan, we were
surprised and delighted to find a group of men painstakingly engaged in
careful restoration of a text of the 8,000-line Perfect Wisdom scripture.
The 13th-century sacred text normally the kind of thing most of
us would never get to see, or at best would be locked behind glass
was
out in plain sight on a small table covered with a simple red cloth. As
our group surrounded the men and watched them painting tiny letters in
delicate gold leaf on black handmade paper using special brushes, Tsultrim
began to lead us in the Prajnaparamita mantra: Om Gate Gate, Paragate,
Para Sam Gate, Bodhi Svaha. The haunting chant took on a completely
new resonance for me (and I think for all of us) in this context and soon
we were riveted in a profound devotional unity that included the workmen,
our group, and all passers-by. Even some Catholic nuns stopped to watch
and joined in with us.
I personally experienced an epiphany during the singing, wherein I felt
that Buddhism itself anchored in Tibet in the 8th century
must have originated as this bittersweet song of love and remembrance
to the Goddess religion that had preceded it for so many millennia. The
research I have done over two decades, which includes all the recent histories
being developed by Tibetan Lamas and scholars and translated to English,
suggests that there was meaningful cultural contact between East and West
for many thousands of years (at least since 2000 BCE and probably earlier)
across the various trade routes we have come to call the "Silk Road."
And in this early and sustained contact, the female shaman priestesses
were absolutely central. Their magical healing practices and worship of
the Great Mother were shared and expressed in similar ways by the "Priestesses"
in African Egypt, the "Maenads" of the Mediterranean region,
the "Amazons" of Central Asia, and the "Yoginis" of
India and Tibet. "OM, gone, gone, all gone; totally all gone,"
is a (loose) translation of the famous chant a swan song in my
mind, celebrating what I now see as both ending and beginning, an unbroken
and never-ending circle of devotion to the Mother of All Things.
Before we left the temple that morning, we were allowed the unbelievable
privilege of looking at, touching, and photographing the sacred text.
Shaw points out that this particular "lavish" text in Patan
is especially famed for its ability to cure illness, and that stories
"abound of remarkable cures and divine interventions secured through
the ritual reading or worship of the text or even through a vow to undertake
such an observance." (183)
Normally,
during the major ritual occasions in which the text might be brought out
into the courtyard of the temple, a priest would officiate. In our case,
one of the painters as a tender joke, perhaps, in the beginning
offered to bless one of our members by placing pages of the book
on her head. Not surprisingly, that started a quasi-formal ritual in which
we lined up and each knelt to be blessed with the Prajnaparamita in book
form. It was a holy moment, the auspiciousness of which was recognized
by everyone in our group, and we left generous donations to help with
the reconstruction of the marvelous and blessed book. As Tsultrim pointed
out later, the "coincidence" of our happening to arrive there
at precisely the time of the restoration process was amazing, since we'd
have missed it if we'd arrived two or three days in either direction
or even one or two hours later that day. Instead the experience remains
one of the most memorable and remarkable of our month-long journey.
The song of Prajnaparamita has transformed in my mind and is with me
now in a very new and living way. Shaw says, "Prajnaparamita is also
embodied by a mantra, or magical incantation that invokes her divine energies.
Mantra recitation establishes a relationship with the goddess and awakens
transcendent wisdom within the practitioner's mindstream." (180)
Her mantra is believed to protect against tangible dangers: "Those
who intone the mantra, the scripture promises, will be free from disease,
will not die a violent death, and are assured of an auspicious rebirth
The mantra confers all virtues, all spiritual perfections, and full awakening."
(181) I've been a natural
healer and Goddess-worshiper for the last thirty years, and the experience
at the Prajnaparamita Temple touched my heart in a way I couldn't have
imagined before the trip. That day proved a perfect gateway into the rest
of our pilgrimage.
To be continued in the Samhain 2007 Issue
of MatriFocus.
Reference
- Shaw, Miranda. Buddhist Goddesses of
India. Princeton, NJ: Princeton University Press, 2006.
Graphics Credits
- Prajnaparamital, public domain
image (modifed) courtesy of wikipedia
- Tsultrim Allione, colorful pages of
the sacred text, text restoration in progress, healing ritual,
© 2007 Vicki Noble. All rights reserved.
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