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One to Ten in Swahili
by Mary
Swander
"Black people are coming!" Rachel Fay said, standing next to
my basket of hot peppers on the table. It was nearly five o'clock in the
evening, an hour after closing time at my Amish neighbors' produce stand.
The Yoders were busily tallying up their money and finishing the rest
of their chores. I was on my bicycle picking up my unsold vegetables and
herbs. An old Buick rumbled up the wide circular lane, a husband and wife
in the front seat with two children in the back. The Yoder's dogs, Buster
and Sport, barked. The man appeared to be dressed in a T-shirt and jeans
but the woman wore an orange headwrap and a sarong.
Eleven-year-old Rachel Fay's eyes opened wide. The Old Order Amish are
so removed from the outside world that they rarely experience people of
different races or cultures. The Amish can be fearful of outsiders and
their response can be anything but politically correct.
"These people are going to be nice, Rachel Fay," I said. "They're
going to speak different languages."
"How do you know?" she asked. Rachel Fay, like all Amish school-age
children, was totally bilingual in English and Pennsylvania Deutsch, but
she had a special gift for languages. She had already picked up many Spanish
phrases she'd learned from another customer at the produce stand, and
had asked me to teach her to count to ten in French. In turn, she'd taught
me simple sentences like "I want some goat's milk," or "Let's
go home," in Deutsch.
The customers threw open all four doors of the car and the children
a boy and a girl both under five years old spilled out and began
chasing the kittens into the barn. The woman hung back near the car, but
the man approached the table, the words Hakuna Matata, stamped
on his T-Shirt. The man wanted to buy a goat. The Amish explained that
they milked goats but didn't sell the animals for slaughter.
"But we have fryers," Ada Yoder offered. "And lots of
vegetables."
The woman inched toward the table, picking up a large, white patty pan
squash and examining it quizzically.
"Are you from Kenya?" I asked the man.
He smiled and pointed to his shirt. "Hakuna Matata. You know
the Lion King? It means no worries, no big deal."
"Hakuna Matata," Rachel Fay repeated.
"Do you speak Swahili?" I asked.
"Swahili and six other tribal languages," Hakuna Matata said.
"Teach Rachel Fay here how to count from one to ten in Swahili."
The man beamed and started in. "Moja," he said.
"Moja," Rachel Fay said.
Hakuna Matata repeated each number until Rachel Fay had it down. "Mbili,
tatu, nne, tano, sita, saba, nane, tisa, kumi." She gave him
a piece of paper and he wrote down the numbers. She read the paper over
and over again, smiling, her eyes sealed shut in concentration.
The Kenyan family bought a chicken (kuku), a dozen eggs (mayai),
and a bag of potatoes (mbatata). We all waved and called good-bye
(kwaheri) to them as they wandered back down the lane, still in
search of goat meat.
I rode home on my bicycle, my basket of peppers on the back, thinking
that perhaps I had made a little difference in the world that day.
But two weeks later, I wasn't so sure.
"It's the Negroes again!" Rachel Fay called from the window
of the house, the dogs barking. The Yoders had closed their stand hours
before. Most of their family was in the house, the daughters washing their
long hair in preparation for church the next morning. The sons had already
hosed down the buggies and put them away in the barn. I had been late
picking up my vegetables and stood in the mudroom in my bicycle helmet
with my basket of peppers. I was settling up the money with Ada.
Up rumbled Hakuna Matata's old Buick. This time the car was filled with
relatives.
"Let me deal with this," I told the Yoders. "I'll sell
them a chicken and you can just stay in the house."
I met Hakuna Matata at the produce table surrounded by his relatives.
Sport and Buster sniffed his heels. Hakuna's children scurried into the
barn with the kittens.
"The last time we were here this family was so welcoming,"
Hakuna Matata said. "We just had to introduce my wife's family to
them." Hakuna motioned to his brother-in-law and his wife. By this
time the Yoder children were seeping from the house into the yard. The
two families stood on either side of me, eyeing each other. The Amish
shifted from one foot to another. The Kenyans hung back behind Hakuna
and let him do the talking. He explained that on their previous visit
they had gone for a ride in the countryside and happened upon the produce
stand, so they decided to stop and talk to the peasants.
"We didn't know who you were," he said. "So we went home
and looked on the internet and found that you're Amish. You're Amish,
right?
The Yoders nodded, having no concept of the internet.
"Would you like to buy some tomatoes, onions, or a kuku?"
Rachel Fay asked. "Moja or mbili?"
Then
the cultural exploration began, a direct exchange of open, unabashed curiosity.
The Kenyans asked all the familiar questions: Did the Yoders go to the
doctor? Then how did they get there? What did they do in an emergency
without a telephone? Did they have indoor plumbing? How did they pump
water?
I pointed to the windmill.
Did they use ice to keep things cold?
I explained that the Amish use gas to power appliances.
"We're a lot alike," the bother-in-law said.
The Yoders stared at him blankly.
"In Africa, we're farmers and we live much the same way you do.
"
Ada Yoder blinked into the early evening light.
"For example, we never let the dogs in the house. They stay outside
like this."
Rachel Fay held her arms together in a circle and Buster jumped through
them. The Kenyans threw back their heads and laughed, long, hearty guffaws.
In turn, the Yoders asked if the Kenyans had ever seen lions, tigers,
or elephants. How many hours did it take to travel from Kenya to Iowa
City? Did their black skin keep them cooler or make them hotter?
"It absorbs the rays of the sun and makes us hotter," Hakuna
answered.
Had they ever seen snow?
"Once when I hiked four days to the top of Mt. Kilimanjaro,"
Hakuna said. "I saw snow for the first time."
I described the mountain to the Yoders.
"If you were gone for four days," Ada said, "did you take
food with you?"
"Oh, no," Hakuna said. "We just reached up, picked a mango
and sat down under the tree and had lunch."
I described a mango to the Yoders.
"Where are your buggies?" Hakuna asked. "We want to show
our family your buggies."
The Yoders motioned toward the barn. All the buggies had been washed
and put away for the night, the horses turned loose in the pasture.
"I would like a buggy ride," the brother-in-law said.
Ada offered to give the man a ride after church services the following
afternoon, but he protested that he had to catch a plane to Kansas City
in the morning.
"I really, really want a buggy ride," the man pleaded, so the
Yoders took the Kenyans into the barn and let them sit in their teenage
son's buggy. Outside, it was sleek and shiny without a speck of dust.
Inside, fuzzy white dice hung down from the windshield. The Kenyans swayed
back and forth, pretending to ride, Hakuna Matata holding the little black
whip in his hand, flicking it back and forth, his hand bending at the
wrist.
"Gitty-up," the children cried.
Then the two oldest Yoder boys, straw hats on their heads, their long
muscular arms dangling from their shirtsleeves, positioned themselves
in place of the horses and picked up the staves of the buggy. They trotted
down the north side of the lane, pulling the carriage, the Kenyans giggling
and waving, Buster and Sport trotting behind. Rachel Fay stood at my side
and let out a rapid burst of laughter. Ada slapped her hands to her thighs,
and the rest of the family stood together smiling, shading their faces,
their eyes squinted, following the buggy. The long warm rays of the sun
beat down on the Amish boys' backs, their shirts darkening with sweat.
The momentum of the downward sloping lane pitched them out into the gravel
road in front of the house. They turned, swiveled back up the south side
of the lane, panting and grunting, the load becoming harder to pull uphill,
Hakuna Matata snapping the whip into the air above their heads.
Graphics Credits
- horses and buggies © Mary
Swander. All rights reserved.
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